ControlTL Overview

Easy to use and packed with features, our ControlTL line of radios is our most popular line of radios for wedding photographers and others who need the ability to set up quickly and start capturing the moment fast. Despite the different names, the FlexTT6 for Canon and the FlexTT5 for Nikon offer the same great features – here’s an overview of the top 12.

ControlTL

ControlTL (Control the Light) taps into the camera’s digital communications to enable remote TTL communications: changes in ISO, aperture and shutter speed are seamlessly passed along for reliable and flawless flash output.

Basic Trigger Mode

Use basic trigger mode and the radio can be used on virtually any camera that has a hot shoe.

Manual Power Control

Use the camera’s exposure compensation controls for basic manual control of remote flashes or add an AC3 ZoneController for even more control and flexibility.

Zone Control

Add an AC3 ZoneController to adjust power to 3 different Zones of light independently, in manual or TTL, from your camera’s position.

Radios can act as either a transmitter or a receiver

PocketWizard ControlTL radios are auto-sensing transceivers meaning they can act as either a transmitter or a receiver. They intelligently know when to transmit and when to receive.

Long Range Performance

Our legendary range is up to 800 feet (240 meters) for TTL triggering, and up to 1200 feet (365 meters) for basic triggering. Unlike our competition that relies on the crowded 2.4GHz frequency, our radios use 344 MHz in the US and 433 MHz in Europe giving range and reliability that is the favorite of the most demanding photographers. Link here for tips on how to extend your range.

Automated HyperSync

Our patented HyperSync technology allows photographers to achieve faster X-sync speeds (sometimes up to 1/8000 of a second) with full power flash on any type of flash, including speedlights, mono-lights and power-pack systems. With HyperSync, you can cut the ambient light and use wide-open apertures, even in bright sunlight. 

Optimized High Speed Sync (HSS)

With Optimized High Speed Sync, you can trigger a Speedlight flash all the way up to 1/8000. ControlTL optimizes this amazing feature and provides more light (which equals greater working distance), faster recycling times and more flashes per battery set. Use this feature to shoot wide open in bright sun for amazing results.

Compatible with all PocketWizards

The ControlTL radios are compatible with any PocketWizard radio for triggering manual flash or remote cameras. Even with your 20 year old radios.

20 ControlTL Channels

With 20 different channels available, you can program the two different configuration settings to custom settings for more flexibility on the fly.

32 Standard Channels

The 32 Standard Channels integrate with our Standard Channel radios and make it easy to find an open channel for manual triggering.

Remote Camera Trigger

Get creative using remote cameras for unique perspectives. Use multiple remote cameras to capture all the angles at your next event. (You will need one radio to use as a transmitter – attached to your main camera or to hold in your hand to manually trigger – and one radio with the correct remote camera cable for each remote camera.)

Check out the FlexTT6 and Flex TT5 Video Overview

 

3 Tips to Improve your Sports Photography

Spring sports are in full swing!  We asked our friend and sports photographer Robert Hanashiro to share some of his tips for capturing that epic shot – you know the kind…not just capturing peak action, but the spirit of the game. We hope you enjoy this guest blog by Robert, and if these three tips get you hungry for more, check out the Sports Shooter Academy that is happening next week in California.  

Sports Photography by Guest Blogger: Robert Hanashiro 

I admit it. I am a big fan of NCIS. The long-running series about a Naval criminal investigation team revolves around former Marine “gunny” Leroy Jethro Gibbs, a steely-eyed no-nonsense team leader played by Mark Harmon.

As any fan of the show knows, Gibbs has a list of 36 rules that not only influence the lives of him and his team but are also life lessons unto themselves.

I hold a sports photography workshop in Southern California where we take students, working photographers and aspiring sports shooters to cover various events. Sports like college baseball, football, track & field, water polo, soccer and basketball, mixed in with horse racing, surfing, boxing and beach volleyball make up the Sports Shooter Academy schedule.

So in the spirit of “Gibb’s List” here are Bert Hanashiro’s Top Three Sports Shooting Tips:

1) Shoot Through The Play (and Don’t Chimp)

Just because the base runner has been tagged out at home plate or a receiver has made an acrobatic catch doesn’t mean the action is over or a cool moment won’t happen. One of the most aggravating things I see when I am out covering a sports assignment is seeing photographers habitually looking at the screen on the back of their camera an instant after a play. “Chimping” — looking at the LCD screen — is a disease that needs a cure. Maybe a slap on the back of the head like Gibbs does when one of his team screws up?

Irvine Valley College Men’s Baseball vs Santa Ana on April 27, 2018.

We all want that instant gratification of seeing a remarkable play we captured— or what we think is a remarkable play. Digital cameras are remarkable tools. But constantly looking at the LCD screen serves no real purpose other than take your eye and concentration away from the game. That remarkable image you captured ain’t going anywhere. So, stay focused on covering that game, you can look at it when there is a break in the action, during a timeout or when the game is over.

2) Clean Up Those Crappy Backgrounds

Camera auto-focus is so good these days that anyone that can afford to buy the latest, greatest camera and telephoto lens can make claim to be a “sports shooter.” But just because that running back or point guard is tack sharp does not make you a real Sports Shooter. One of the telltale signs of someone who is, what I call a “camera pointer” rather than a photographer, is cluttered, distracting, messy backgrounds.

Using telephoto lenses with a wide-open aperture to limit the depth of field is one way to clean up those crappy backgrounds. Another is to look for an elevated spot to shoot from. This serves three purposes. First, it moves the distracting background out of your angle of view, so the field essentially becomes your background. The second cool thing about shooting from a high vantage point is that it gives you a different and often unique look at the game. The third thing is the light is different from above and you can use shadows creatively.

Player dives for the ball during play at the AVP Beach Volleyball tournament Thursday.
Photo by Russell Hons/Sports Shooter Academy

3) Use A Remote Camera to Give the Viewer a Different Perspective

Rigging a remote camera can accomplish a couple of things, the most important is giving your viewer a unique, different look at the sports you’re covering. You can place a remote camera in places that you cannot stand while covering a game, or place it in a spot that gives you an unique angle. The other purpose a remote camera gives a Sports Shooter is providing an alternative angle. For instance, if you’re covering a basketball game, you can use a remote camera on the opposite side of the court so you can literally be in two places at one time.

4/28/18: Behind the scenes with the cast and crew of Sports Shooter Academy 15 in Orange County, California. The Sports Shooter Academy Workshops are sponsored by Nikon Professional Services (www.nikonpro.com). ©sportsshooteracademy

There are several caveats using remote cameras and the foremost is safety. With all aspects of sports photography, “safety first” is always #1. Be very careful where you rig your camera, make sure your camera is away from players, referees, fans, popcorn vendors, and others that potentially could bumping into it. If you are rigging a camera high, use safety cables for both the lens and camera body. If you’re in an unfamiliar venue, check with the management about any rules they have concerning remote cameras.

After you’ve rigged your remote, ask for help to pre-focus your lens by getting a stand-in. I cannot tell you how many remote photos I’ve lost because I wasn’t as careful to pre-focus as I should have been. And always, always, always, get to the game early, even more so if you are planning on rigging a remote. Of course the best method to trigger your remote camera is a radio transceiver made by PocketWizard. (Note: I am not being paid by PocketWizard to mention their products or to write this post!) I have been using PocketWizard radios with great success for about 30 years at some of the biggest events (Olympic Games, NBA Finals, NCAA Tournament, World Series, NHL Stanley Cup) to the smallest (youth league sports).

Competitors in the men’s 3000m steeplechase leap into the water on the first lap during the Steve Scott Invitational at UC Irvine in Irvine, CA on Saturday, April 28, 2012.

Thanks Robert for the great tips! If you’re inspired to learn more, it’s not too late to register for next week’s event, but hurry, there are only a couple of slots open. If next week is not in the cards for you, look for their future academies and start planning now!